Concert Program

America Will Be Tour: PRAx, Corvallis, OR

April 10, 2026 7:00 PM

A Note from the Artistic Director

There are moments in life that quietly ask us to reflect on who we are to one another. Not in grand gestures, but in the small, human interactions that reveal whether we feel seen, valued, and safe.

America Will Be is rooted in those moments and in the belief that the story of this country is still being written through the lives of its people.

This program is not about presenting a single perspective, but about holding space for many. It reflects voices that have too often been overlooked, experiences that ask to be heard, and stories that remind us of both our fragility and our resilience. At its core, this music invites us to consider what it truly means to care for one another, especially those who are most vulnerable, and those whose paths may look different from our own.

At Tonality, we believe that music can create a space where listening becomes an act of connection. Our singers come from a wide range of backgrounds and lived experiences, and together we aim to embody the possibility of a community that welcomes, supports, and uplifts all of its members.

This concert is an offering: a space to reflect, to feel, and to imagine. Not just the country we live in, but the one we are capable of becoming. One shaped by empathy, dignity, and a commitment to one another’s humanity.

Thank you for being here, and for being part of that ongoing story.

Alexander Lloyd Blake
Executive/ Founding Artistic Director

Concert Program

Can You See

Music by:
Zanaida Robles
Text by:
Lyrics taken from protest signs

Oh, say say say say
Say say say say

Say say say say


Can you see, can you see,

Can you see, can you see,

Say, can you see, can you see,

Can you see, can you see,

Can you see, can you see,

By the dawn’s early light,

Dawn’s early light?

Love is love, 

Can you see, can you see,

Can you see, can you see,

Can you see, can you see,

Love is love,
Love is love, 

Black lives matter,

Black lives matter,

Black lives matter,

Matter.


Women’s rights are human rights,

no human is illegal.
Women’s rights are human rights,

no human is illegal.

No human is illegal.

No human is illegal.

No human is illegal.

Women’s rights are human rights.
Say, can you see, can you see,

Can you see, can you see,

Can you see, can you see,

By the dawn’s early light,

Science is real. Water is life.

Science is real. Water is life.

Science is real. Water is life.

Science is real. Water is life.

Science is real. Water is life.

Science is real. Water is life.

Love is love. Love is love.

Love is love. Love is love.

Love is love.

Kindness is ev’rything. Kindness is ev’rything.

Kindness is ev’rything. Kindness is ev’rything.

Ev’rything. Ev’rything.

Oh, say can you see

By the dawn’s early light?
Love is love.

Black lives matter.

Women’s rights are human rights.

Oh, say can you see

By the dawn’s early light?
No human is illegal.
Science is real.
Water is life.

Kindness is ev’rything.
Kindness is ev’rything.

Ev’rything, ev’rything.

Oh say, does that star-spangled banner yet wave
O’er the land of the free

and the home of the brave?

In This House

Music by:
Cristian Larios
Text by:
Text by Cristian Larios and from the ‘Know and Exercise Your Rights’ presentation by Chicago Legal Protection Fund/Community Navigator Fund

Hmm…

If you are detained by ICE: Remain silent.

You have the right to not sign anything.

You have the right to call your attorney or emergency contact.

You have the right to call your consulate.

You have the right to find out your Alien Number.

Todos tenemos estos derechos.

(We all have those rights.)

Todos tenemos estos derechos.

(We all have those rights.)

Todos.
(All.)

This house was built on dreams,

This house was built on dreams,

And fear, and hope, and the unknown.

Unknown, unknown.

This house was built on love,

And tradition, and food.

In this house, we harbor “drug lords”
In this house, we harbor “drug lords”

and “rapist” And “illegals” and “aliens”

If ICE comes to your home,

do not open the door.

[In this house, we harbor tias (aunts),

and primos (cousins), and hermanas (sisters)]

You are NOT required to open the door

unless ICE has a warrant signed by a judge.

[In this house, we harbor tias (aunts),

and primos (cousins), and hermanas (sisters)]

Ask them to show you the warrant -
Slide it under the door or hold it up to the window.

[In this house, we harbor tias (aunts),

and primos (cousins), and hermanas (sisters)]

IF THEY TRY TO FORCE THE DOOR OPEN

Write down the agents’ badge numbers

and vehicles’ license plate numbers. 

[In this house, we harbor tias (aunts),

and primos (cousins), and hermanas (sisters)]

Ah…

In this house, in this house,
we harbor innovators,

and workers, and dreamers,

Dreamers, mm.

Dios te bendiga. Dios te bendiga.

Dios te bendiga. Dios te bendiga.

(God bless you)

mm

n’na’nn

Natalie Gonzalez, David Morales, Vi Jordan, Ian Gabriel Luna, speakers

A Lullaby

Music by:
Ryan Murphy
Text by:
Eugene Field

The stars are twinkling in the skies;

the earth is lost in slumbers deep.

So hush, my sweet, and close thine eyes,

and let me lull thy soul to sleep.

Compose thy dimpled hands to rest,

and like a little birdling lie secure within thy

cozy nest upon my loving mother breast,

and slumber to my lullaby.

So hushaby, hushaby,

hush my sweet and close thine eyes,

and slumber to my lullaby,

so hushaby, hushaby.

The moon is singing to a star

the little song I sing to you.

The father sun has strayed afar

as baby’s sire is straying too.

And so the loving mother moon

sings to the little star on high;

and as she sings, her gentle tune is borne to me,

and thus I croon for thee, my sweet, that

lullaby of hushaby, hushaby,

hush my sweet and close thine eyes,

and slumber to my lullaby,

so hushaby, hushaby.

There is a little one asleep

that does not hear his mother’s song;

but angel watchers as I weep

surround his grave the night-tide long.

And as I sing, my sweet, to you,

oh, would the lullaby I sing,

the same sweet lullaby he knew

while slumbering on this bosom too,

were borne to him on angel’s wing!

So hushaby, hushaby,

lullaby, lullaby, hushaby, hushaby,

lullaby.

Dylan Gentile, Piano

Sing About It

Music by:
Moira Smiley
Text by:
Moira Smiley

It’s so sad, we don’t understand each other yet.

How can this be when we’ve been livin’ together

so long, so close to each other’s beauty?

It’s so sad, makes me feel so bad.

I can’t stand by anymore. Gonna sing about it.

Gonna sing it when I feel like crying,

when I’m uncomfortable and don’t know why yet,

when I am guilty of the laissez-faire,

my ignorance of you laid bare.

I’ll talk to you before I raise my hand,

so you can call on me to make a stand.

Am I responsible?

Are you responsible?

What are we responsible for?

I’m gonna look up from my own concerns,

reach across the chasms of what I never learned

So wide, so full of burning.

Your eyes are turning to me now saying,

“It’s time, it’s way past time

to step outside the echo chamber.

Stop pretending it’s alright.

Stop pretending this is not our fight.”

Natalie Gonzalez, soloist; Antonio Fernandez, beatboxer

America Will Be!

Music by:
Joel Thompson
Text by:
Langston Hughes, Emma Lazarus, and students of Freedom High School Chorus

mm… oo…
oh  oo  oh  mm  ah  mm

Yo sueño de un nuevo amanecer… 

(Spanish: I dream of a new dawn)

Who are you that mumbles in the dark?

Who are you that draws your veil across the stars?

Mage anagatha sinduwa…

(Sindhala: I sing for the future)

Umaasa ako no may pagbabago

(Filipino: I hope there is a change)

‘Atamanaa ‘an albashar yatealam an yu hib

(Arabic: I hope that people can learn to love)

Eu canto porque estou livre

(Portuguese: I sing because I am free)

I’m the one who dreamt a dream

while still a serf of kings,

A dream so strong, so brave,

so true that even yet it sings,
even yet it sings,

mm ah

Umaasa aka no may pagbabago…
(I hope there is change.)

Mage anagatha sinduwa…
(I sing for the future.)

‘Atamanaa ‘an albashar yatealam an yu hib…
(I hope that people can learn to love.)

Eu canto porque estou livre.
(I sing because I am free.)

To build a homeland of the free.
Free?
Oo…

Give me your tired,

Wŏ mèngxiăngzhe měihăo de wèilái

(Mandarin: I dream of a better future)

Give me your poor.

Seigi wo motomete

(Japanese: I hope for justice)

Your huddled masses yearning to breathe free,

Ich singe für eine Flucht aus der Welt

(German: I sing for an escape from the world)

Give me the wretched refuse

of your teeming shore.

Còn uoć mong hoà binh

(Vietnamese: I dream of peace)

Mwen chante pou lapè sou Latè

(Haitian Creole: I sing for peace)

Send these to me! Send these to me!

Send these to me!

I lift my lamp beside the golden door!
I lift my lamp beside the golden door!

I lift my lamp beside the golden door!

I lift my lamp beside the golden door!

I lift my lamp beside the golden door!

ah

For all the songs we’ve sung,

And all the dreams we’ve dreamed,

America was never America to me,

and yet, and yet I swear, and yet I swear:

America will be!

Hagar Sara Adam and Anna Crumley, soloists

Soñar es Desear (A Dream is a Wish Your Heart Makes)

Music by:
Mack David, Al Hoffman, Jerry Livingston
Text by:
Spanish version by Edmundo Santos

Soñar es desear la dicha (To dream is to wish for joy)
En el porvenir (in the future)
Lo que el corazón anhela (What the heart longs for)
Se sueña y se suele vivir. (it dreams and it’s used to living.)

Si amor es el bien deseado (If love is well-desired)
En dulces sueños llegará (it will come in sweet dreams)

No importa cuan dificil sea. (It doesn’t matter how difficult it is)

En tanto tú lo creas (as soon as you belive it,)

Se hará realidad tu soñar. (your dreaming will be your reality.)

Arranged by Derric Johnson

Running From, Running To: A Musical Reflection on Ahmaud Arbery

Music by:
Alexander Lloyd Blake
Text by:
Alexander Lloyd Blake

Running From, Running To: A Musical Reflection on Ahmaud Arbery

Words and Music by Alexander Lloyd Blake

I. Who Was Ahmaud

Ahmaud…

Who was Ahmaud?

Ahmaud,
who were you?

We live on with a memory

about a young man,

a Black man,

the youngest of three,

whose death

ignited a movement.

But, who were you,

who were you in life?

You were my son,

my little jokester,

My Quez,

You were so strong

in how you cared.

Treating strangers

and friends alike,

that’s who you were.

You’d never leave

without an “I love you.”

A lesson left with me.

Where was the love

shown toward my son, Ahmaud?

Where was the love?
My son, Ahmaud.

Where was the love, Ahmaud?

My Ahmaud, Ahmaud.

II. Life Defined

One dark moment won’t

shape my name,

nor will hatred be my claim.

I have loved, I’ve run, I’ve lost,

I’ve grown.

My story’s mine to shape

and mine to own.

Is life defined by the

trials we face?

Are we moments we can’t erase?

Or are we the love

that forever streams

the path we run, the light we shine,

the dreams we dream?

III. Oak and Pine Trees

The sunlight calls me.

The day has just begun.

I lace my shoes for

the race I have to run.

As I make a plan,

I paint a picture of where
I want to be.

I see the dream.

It calls to me.

To run, to reach
for what can be.

The wind, it carries

the smell of oak and pine.

The water whispers

of all that could be mine.

So my mind can fly

where feet can’t take me,

towards a better life.

I see the dream,

it calls to me

to run, to reach

for what can be.

I see a light

Beyond where I’ve ever been,

a life where I can rise

with people I love.

I’ll buy a plot of land

where my friends and I can go.

I’ll lift up my mother

and give her a better home.

It’s right in front of me.

I know it’s in front of me,

if I keep on going

I know it right there.

Right there, right there,

Mm—  Ooh— 

IV. Saltilla Shores

You looking for a private paradise,

with southern charm that’s easy

on the eyes?

All at a suitable price,

where your neighbors look safe

with a tone that feels right.

Views of the ocean

that you’ve never seen,

can keep your doors ajar

to feel the breeze.

Scenic, secluded

with pleasures you’d adore

in Saltilla Shores.

A cozy nest away from

all the crime.

An easy living that’s

so hard to find.

Fresh air will do you some good.

with a little more “neighbor,”
a little less “hood.”

The water feels like heaven

on your skin.

And hear the willows rustle

in the wind.

Nature with everything you

could want and more

in Saltilla Shores,

Saltilla Shores!

But listen close,

through the rustle of the trees,

a melody the

wind won’t carry.

Oak trees through centuries

weighed down

by secrets resembling

strange fruit.

Their roots, 

deep with blood and memory,

reveal the true foundation.

Those who aim to reside on this land

would be wise to seek out

what else lingers in Saltilla Shores.

The trees stretch to the sky,

with limbs stretched wide they offer shade.

The roots stretch down beneath and

run through graves that have no name.

The breeze so soft and cool

feels  wonderful across the skin.

The shore can calm the soul

and washes over memories.

Trees bear the weight.

Roots twist beneath.

Breeze stirs the still.

Shore swallows sound.

The trees…   The roots…
The breeze…   The shore…

V. The Incident

Who’s that?…
That Black man…

Who’s that?…
That man, that Black man.

Tall, athletic, fast, aggressive,

looks suspicious. That Black man.

Why is he jogging here? Running? Fleeing? Must be fleeing.

But, where’s he fleeing from?


That empty house around the way.

Last week they saw him looking.


Lurking. Scheming.

Lock up your doors.

Wasn’t he the one that they saw?

Bet he stole that pistol from my car.

And now he’s back and we’re not safe

as long as they’re around.

They’re always the ones.
Those people taking all our shit.

You know he’s dangerous. Probably armed.
That’s it, I’ve had it, get your gun!

Who’s that?
That Black man…

What about me is so dangerous?

Is it my skin?

The complexion I’m in?

I dress the part,

step carefully.

Twisting, bending just to align.

My mother taught:

move cautiously,

not for myself

but for your peace of mind.

I was raised to trust in humanity.

Yet warned of the fear

that you hold for me.

The stories told,

the lies engrained

turned ignorance into a loaded aim.

Will I ever just be me?

Will I feel the freedom to be?

To run, to shine, to dream, to be.

To just be me.

VI. Running From, Running To

I am enraged

when I think of Ahmaud’s last day.

(What made you act in this way?)

What made you point

a gun at a stranger?

Why wouldn’t you see him

as your neighbor?

You ran away

to a place where anger reigned.

That day Ahmaud ran, but it was you

who turned away from his humanity,

our shared humanity.

If you can’t see me in your eyes

how can I see myself in you?

But, I ran away, too.

As I’m faced with a piercing truth.

In my silence I leave values unspoken.

Inaction revealing something broken.

I chose comfort not compassion,

Afraid to fall from grace.

My standing as an ally

was a burden I couldn’t face.

I made enemies of strangers

with no thought of sympathy.

Blind to how the love I held from you

was there to set us free.

I ran away,

though it seemed so mundane.

The ways I disconnected then

now lead to deeper pain

for our humanity.


Our shared humanity.

If you can’t see me in your eyes,

how can I see myself in you?

How can I take a different view?

If we stand unafraid,

open hands, hearts unchained.

Can we find our way again?

One soul, woven in harmony.

Where healing can begin

when we don’t run away,

don’t run away.

We can’t make the same mistake.

Don’t run away,

don’t run away.

Stand in love

the hate will fade

when we don’t run away.

VII. No More

Hmm hmm hmm hmm..

How long must we watch our people die?

Another man struck down in broad daylight.

Are these modern lynchings justified?

When will we be human in your eyes?

Tell me how long must our mothers grieve.

With their children lying at your feet.

What will it take to find some empathy?

Such indifference while our bodies bleed.

Time and time again,

gave you the chance to make amends.

We can’t stand by like we have before.

We will wait no more.

No, no, no, no more!

No, no, no, no more!
No, no, no, no more!

‘Cause we’re tired, tired,

tired to the core.

Is there nothing that our laws can do?

Do they work for me

or just for you?

The D.A. works so hard to hide the truth.

Played these games

it’s time to make our move.

No more asking,

no more soft demands.

Hold our people’s future in your hands.

To this point we’ve met you decently,

but with no justice

you will find no peace!

[Shouts of protest]

Say his name!…

Say her name, say her name,

say her name, say her name!…

Say their name, say their name,

say their name, say their name!…

Say her name… Say their name…

Say his name!

Not gonna wait for you to change.

Ahmaud, we will always say your name.

We’re rising up,

we won’t be ignored.

Hear us cry no more.
No, no, no, no more!

No, no, no, no more!
No, no, no, no more!

‘Cause we’re tired, tired,

tired to the core.

Tired to the core.
Tired to the core.

VIII. Running Free

Running free.

No more fears, no more chains.


Running free,

Far away from the pain.

You are finally at peace,

your spirit at ease.

But, now I can’t help

but mourn for what should be.

As I hold you in my memories,

I know you’re holding me.

And as light as the breeze,

you’re running free.

Running free,
Even though my heart aches.

Running free, now you’re finally safe,

but I’m not sure I know

how to let go.

What I would do to hold you

oh so close.

Now I know

that it’s your time to fly.

When I look to the sky,

in my heart,

I believe you’re running free.

Carry on within us,

Staying strong within us,

You’ll live on within us, Ahmaud.

In every fight, in every prayer,

With every tear, I know

in my heart and soul,

You are there.

I see your smile,

I hear your voice.

Your love now flows through me.

My Ahmaud,

My baby boy,

Ahmaud, you’re free.

Your spirit’s free.

Rest free.

Run free,

Run free, Ahmaud.

Free, from the world

full of pain, you’ll be free.

Though you’re gone, you remain

in the depths of my heart.

Here’s where you are.

Far away, but through our love

we’re not apart.

Yes, I know that our battle is won.

I still miss you, my son.


So, as you run fast and free,

Please wait up for me.

Soloists (PRAx): Jamal Moore (Ahmaud Arbery), Caroline McKenzie (Wanda Jones-Cooper, Ahmaud's Mother), Hannah Abrahim (Protestor) • Instrumentalists: piano; violin 1; violin 2; viola; cello; bass; oboe; flute, alto flute; percussion

Performers

Soprano

  • Hannah Abrahim
  • Hagar Sara Adam
  • Anna Crumley
  • Vi Jordan

Alto

  • Cara Zydor Fesjian
  • Natalie Gonzalez
  • Hannah Rose Lewis
  • Luz Rodriguez

Tenor

  • Sammy Avila
  • Isaiah Chacon
  • Kion Heidari
  • David Morales

Bass

  • Antonio Fernandez
  • Dylan Gentile
  • Jared Jones
  • Ian Gabriel Luna

Accompanist

  • Dylan Gentile

ASL Interpreter

Special Thanks

Tonality Board of Directors

  • Dr. Alexander Lloyd Blake, Executive/Founding Director
  • Caroline McKenzie, Chairperson
  • XX, Vice-Chairperson
  • XX, Secretary
  • Angelica Tan, Treasurer
  • John Witt Chapman
  • Roman GianArthur
  • Kelci Hahn
  • Ahmed Khater
  • David Morales
  • Julie Smith
  • Tayanna Todd

Honorary Board Members

  • Michael Abels
  • Kris Bowers
  • Lara Downes
  • Dr. Melissa Dunphy
  • Nikky Finney
  • Scott Hoying
  • Brian Lauritzen
  • Kevin “K.O.” Olusola
  • Joel Thompson

Advisory Board Members

  • Dr. Derrell Acon
  • Stacy Brightman
  • Branden Chapman
  • Melissa Denton
  • Kristy Edmonds
  • Ted Hearne
  • Daniel Hurlin
  • Stu Marks
  • Luke McEndarfer
  • Thomas Mikusz
  • Jen Rogers
  • Patrick Scott
  • Sara Scott
  • Dr. Tram Sparks
  • Leslie Thomas
  • Booker White

We Sincerely Thank:

  • Emily LaSalle, Director of Operations
  • Alex Morales, Vocalist Operations Manager
  • Allen Moon, David Lieberman Artist's Representatives www.dlartists.com
  • Peter Betjemann, Executive Director, PRAx
  • Julia Goode, Event Coordinator, PRAx
  • Nadia Hagan, Managing Director, PRAx
  • Keira Anderson, Production Manager, PRAx
  • Liddy Detar, Director of Engagement and Interpretation, PRAx
  • Allison Heinrichs, Event Manager, PRAx
  • Robert Ian Brudvig, Director of Percussion, Oregon State University
  • Blake Boyd, Director of Sound Engineering, PRAx
  • Eric Sarbach, Venue Technical Manager
  • Tarron Anderson, HR Strategic Partner, Oregon State University

Acknowledgments

2025-2026 Supporters of Tonality

  • California Arts Council
  • California Community Foundation LA Arts Recovery Fund
  • California Impact Grant
  • City of Los Angeles Department of Cultural Affairs
  • Los Angeles County Department of Arts and Culture Organizational Grant
  • Michael and Irene Ross Endowment of the Jewish Community Foundation of Los Angeles
  • National Endowment for the Arts (NEA)
  • Tejemos Foundation

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